Episode Summary

Seth and Rob set the table with a talk about Stanley Clarke and all of the musicians he has worked with over the years. Clarke is an innovative jazz-and-beyond bassist who even had a bit of hit with the title track of his Stanley Clarke Band record, “School Days” in the 70s, and with the landmark fusion band, Return To Forever. We learn about when the now-iconic “School Days” bass line came to Stanley, and about how RTF-band-mate Chick Corea convinced Stanley to start writing years before that. Stanley elaborates on the importance of Art Blakey, and about how Clarke was so moved by John Coltrane that he at one point even seriously considered ditching his bass to play sax. Stanley also talks about his recent work with the Smithsonian, how he chose to play Alembic bass. and the great honor recently bestowed upon him by the Montreal Jazz Festival. Stanley very much continues to make amazing music today, and the genesis and ethos of his poignant 2018 release, *The Message* is discussed. Stanley benefits from the compositional and performance talents of some incredible young musicians on this record, many of which are discussed including Cameron Graves (a founding member of West Coast Get Down) and Beka Gochiashvili (who was discovered by Condoleeza Rice in Georgia, the former Soviet republic). Perhaps best of all for some, Stanley shares some memories about jazz pioneer, Charles Mingus. Before the episode ends Seth shares his experiences at the Hulaween Festival in Florida, and Rob talks about seeing Bob Dylan in North Carolina and Bob Weir and The Wolf Brothers in Tennessee.

Episode Notes

Seth and Rob set the table with a talk about Stanley Clarke and all of the musicians he has worked with over the years. Clarke is an innovative jazz-and-beyond bassist who even had a bit of hit with the title track of his Stanley Clarke Band record, “School Days” in the 70s, and with the landmark fusion band, Return To Forever. We learn about when the now-iconic “School Days” bass line came to Stanley, and about how RTF-band-mate Chick Corea convinced Stanley to start writing years before that. Stanley elaborates on the importance of Art Blakey, and about how Clarke was so moved by John Coltrane that he at one point even seriously considered ditching his bass to play sax. Stanley also talks about his recent work with the Smithsonian, how he chose to play Alembic bass. and the great honor recently bestowed upon him by the Montreal Jazz Festival. Stanley very much continues to make amazing music today, and the genesis and ethos of his poignant 2018 release, The Message is discussed. Stanley benefits from the compositional and performance talents of some incredible young musicians on this record, many of which are discussed including Cameron Graves (a founding member of West Coast Get Down) and Beka Gochiashvili (who was discovered by Condoleeza Rice in Georgia, the former Soviet republic). Perhaps best of all for some, Stanley shares some memories about jazz pioneer, Charles Mingus. Before the episode ends Seth shares his experiences at the Hulaween Festival in Florida, and Rob talks about seeing Bob Dylan in North Carolina and Bob Weir and The Wolf Brothers in Tennessee.

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Our Favorite Phish moments: https://www.benjerry.com/flavors/favorite-phish-moments

wTnS is Produced by Rob Turner and Engineered by Josh Thane of Wonder Dog Sounds Studio. www.joshthaneproductions.com www.wonderdogsounds.com

All social media management, promotion and website maintenance/building done by Harris Sullivan.

wTnS is a proud partner of the Osiris Podcast Network. Osiris is a global community connecting passionate music fans with podcasts about music, artists, and culture; currently consisting of 15 link-minded podcasts and more can be found at www.osirispod.com

wTnS Sponsors: Polay + Clark 21st Century Accounting (Don't wait till April and get screwed, get Polayed) www.polayclark.com

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About the Show

Inside Out with Turner and Seth (wTnS) Podcast.